Tom Whalen - Digital Print Framed
digital print on Louzan Art 300gr paper
A3 (42 x 29.7 cm / 16.54 x 11.69 inches)
open edition
framed
printed in Lisbon, Portugal
A precision printing process where artwork is transferred directly from a digital file to the printing surface, with no plates, screens, or setup delays. Each print is produced fresh, on demand, with exacting color accuracy and fine detail, capturing every nuance of the original artwork, from subtle gradients to crisp linework.
Please allow up to 8 weeks for delivery. Prints will typically ship rolled in protective tubes, though some may ship flat between sheets of sturdy cardboard depending on size, medium, and quantity purchased.
Historiart brings The Odyssey to Athens, opening 17 July at the Michael Cacoyannis Foundation and running through 2 August, 2026. The exhibition unites two collections in one venue — "Defy the Gods," an officially licensed print series inspired by Christopher Nolan's new theatrical adaptation of Homer's epic, and "Wrath of the Gods," a companion collection featuring original works created exclusively for Athens by Greek artists offering a personal, contemporary lens on their mythological heritage.
countless sunday afternoons were spent sitting next to that squeaky old spinner rack of comics in my grandmother's candy store. i loved the stories, but it was the art that stuck with me. armed with well-worn issues of character guides like "who's who in the dc universe"and "the official handbook of the marvel universe", it was sometime around sixth grade when i started to take drawing seriously. multiple trapper keepers full of my own character designs would follow. an 11"x17" drawing pad and a pencil were staples of my high school existence. a few thousand drawings (give or take) later, my own style started to emerge.
in 1992, i took my love of mcfarlane, ditko, and kirby to kutztown university where i quickly added bass, glaser, and tschichold to a growing list of influences. concentrating in both graphic design and illustration, i found myself inspired by typography and i committed to making it an integral part of my work.
now, nearly 20 years later, i relish the opportunity to mesh my passion for design and love of illustration for clients like disney, marvel, the beatles and target.
i feel like a kid in a candy store.
